叛我更幸福

　　DEA agent and partner pursue thieves: their own rebellious teens, who began robbing cartel using parent tactics and classified intel.

　　在一个肃杀的夜晚，满身伤痕的女孩西恩娜（艾丽森·兰格 Allison Lange 饰）跌跌撞撞冲入公路。她随即被送往医院，在探员赞恩（詹森·伦敦 Jason London 饰）的询问下，惊魂未定的西恩娜终于说出了那段恐怖经历。　　两周前，她和同在医科大学念书的好友斯科特（B.J. Britt 饰）、杰森（尼克·霍尔莫斯 Nick Holmes 饰）、本（C.J. Thomason 饰）、夏侬等人结伴外出游玩。他们驻留在一所古堡，看似一切充满了刺激和乐趣，但是这份无上喜悦很快便蒙上一层阴影。在他们身后，似乎有一个手执手术刀的夺命医生蠢蠢欲动，死神的脚步越来越近。这群踌躇满志的未来医生，俨然成为了手术台上的致命牺牲品……

　　影片讲述了索菲亚（霍尔特饰）和尼克（斯温德尔斯饰）的故事，两个小偷发现他们正在追逐同一个目标——在圣诞夜抢劫伦敦最臭名昭著的百货公司之一。现在，他们不得不勉强联手，但随着彼此感情的加深，他们保守的秘密最终可能会危及他们的关系和这起抢劫案。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.